Key articles 

* ‘Revisiting Performance: Nicole Kidman’s Enactment of Stardom’, in Sabrina Qiong Yu and Guy Austin (eds), Revisiting Star Studies: Cultures, Themes and Methods, Edinburgh: Edinburgh University Press, 2017.

* ‘Because She’s Worth It: The Natural Blonde from Grace Kelly to Nicole Kidman’, Celebrity Studies, special issue on Blondes, November 2015.

* ‘Picturing Natacha Rambova: Design and Celebrity Performance in the 1920s’, Screening the Past 40, special dossier on Women and the Silent Screen (WSSVII 2013 conference), 15 September 2015. ISSN 1328-9756.

* ‘Text, Paratext and Subtext: Reading Mildred Pierce as Maternal Melodrama’, SEQUENCE: Serial Studies in Media, Film and Music, 2.2, 2015. ISSN 2052-3033.

* ‘Dancing with Pixels: Digital Artefacts, Memory, and the Beauty of Loss’, The Cine-Files 7, Fall 2014. Scholarly online journal published by Savannah College of Art and Design.

* ‘Close Encounters of the Open Kind: Open Source Academia’, In Media Res, 3 December 2014.

* ‘Dreaming Past and Future: Nostalgia and Postcolonial Memory in Baz Luhrmann’s Australia‘, in Zeenat Saleh and Melvyn Stokes (eds), Le Cinéma comme vecteur de la mémoire dans le cinéma Anglophone/Memory in/of English-speaking Cinema, Paris: Michel Houdiard, 2014. 

* ‘Word vs. Image: Making Mildred’s Kiss (2013)’, Reframe: The Audiovisual Essay: Practice and Theory in Videographic Film and Moving Image Studies‘, September 2014. Open access online journal published by the University of Sussex.

* ‘Sweetie‘, Metro 181, Winter 2014. Journal of the Australian Teachers of Media (ATOM).

* ‘History in the Making: Sofia Coppola’s Marie Antoinette and the New Auteurism’, in Tom Brown and Belén Vidal (eds), The Biopic in Contemporary Film Culture (AFI Readers), New York: Routledge, 2013.

* ‘Beyond Adaptation: Mirrors, Memory and Melodrama in Todd Haynes’s Mildred Pierce‘, Mildred Pierce Dossier, Screen 54:3, Autumn 2013.

* ‘Labours of love: in praise of fan websites’, Frames 1 (1), July 2012. Open access online journal of moving image studies.

* ‘Another Story: Myth and History in Bonnie and Clyde (1967)’, in Tom Brown and James Walters (eds), Film Moments: Criticism, History, Theory, London: BFI/Palgrave Macmillan, 2010. 

* ‘Sofia Coppola’, in Yvonne Tasker (ed.), Fifty Contemporary Film Directors, Oxford and New York: Routledge, 2010. 

* ‘Transnational Utopias: Baz Luhrmann and Australian Cinema’, Transnational Cinemas 1 (1), 2010.

* ‘On Memorialising Gainsborough Studios’, Journal of British Cinema and Television 6 (2), 2009.

* ‘Whatever Happened to BFI Publishing?’, Cinema Journal 47 (4), Summer 2008. 

* ‘An American in Paris’, in Mandy Merck (ed.), America First: Naming the Nation in US Film, Oxford and New York: Routledge, 2007. 

* ‘Portrait of a Lady: Sofia Coppola’, Sight and Sound vol. 16, no. 11, November 2006. 

* ‘Rethinking Nostalgia: In the Mood for Love and Far from Heaven‘, in Screening the Past: Memory and Nostalgia in Cinema, Oxford and New York: Routledge, 2005.

* ‘ “Sean Connery Is James Bond”: Re-fashioning British Masculinity in the 1960s’, in Rachel Moseley (ed.), Fashioning Film Stars: Dress, Culture, Identity, London: British Film Institute, 2005. With Claire Hines. 

* ‘The Trouble with Sex: Diana Dors and the Blonde Bombshell Phenomenon’, in Bruce Babington (ed.), British Stars and Stardom: From Alma Taylor to Sean Connery, Manchester: Manchester University Press, 2001. 

* ‘No Fixed Address: The Women’s Picture from Outrage to Blue Steel‘, in Steve Neale and Murray Smith (eds), Contemporary Hollywood Cinema, London and New York: Routledge, 1998.

* ‘Neither Here Nor There: National Identity in Gainsborough Costume Drama’, in Andrew Higson (ed.), Dissolving Views: Key Articles on British Cinema, London and Washington: Cassell, 1996.

* ‘Border Crossings: Women and Film in Context’, in Pam Cook and Philip Dodd (eds), Women and Film: A Sight and Sound Reader, London: Scarlet Press/Philadelphia: Temple University Press, 1993.

* ‘Women in the Western’, in Edward Buscombe (ed.), The BFI Companion to the Western, London: British Film Institute/André Deutsch, 1988. Reprinted in Jim Kitses and Gregg Rickman (eds), The Western Reader, New York: Limelight, 1998.

* ‘Mandy: Daughter of Transition’, in Charles Barr (ed.), All Our Yesterdays: 90 Years of British Cinema, London: British Film Institute, 1986. 

* ‘Melodrama and the Women’s Picture’, in Sue Aspinall and Robert Murphy (eds), BFI Dossier 18: Gainsborough Melodrama, London: British Film Institute, 1983.

* ‘Masculinity in Crisis? Tragedy and Identification in Raging Bull‘, Screen vol. 23, no. 3/4, Sept/Oct 1982. 

* ‘Duplicity in Mildred Pierce‘, in E. Ann Kaplan (ed.), Women in Film Noir, London: British Film Institute, 1978. Revised edition 1998. 

* ‘Exploitation Films and Feminism’, Screen vol.17, no. 2, Summer 1976.

* ‘Approaching the Work of Dorothy Arzner’, in Claire Johnston (ed.), Dorothy Arzner: Towards a Feminist Cinema, London: British Film Institute, 1975. 

* ‘The Place of Woman in the Cinema of Raoul Walsh’, in Phil Hardy (ed.), Raoul Walsh, Edinburgh: Edinburgh Film Festival, 1974. With Claire Johnston. Reprinted in Barry Keith Grant (ed.), Auteurs and Authorship: A Reader, Oxford: Blackwell, 2008.